Gary
Marvin Davison, Books Read, Winter 2026
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Edward
Bellamy, Looking Backward [originally published in 1887]; H. G. V.
Ogden, translator (Garden City, NY, Dover Publications, 1996)
This
novel is the vehicle for the expression of Bellamy’s vision of a future in
which the United States operates on the basis of a society with a dynamic,
demonetized economy in which every person contributes her or his vocational or professional
talent and skill for the communal good, in which abundant free time is used in
highly cultured, joyful pursuits, and in which violence or the threat of war
have vanished in a world much under the influence of the United States
model.
The plot
via which the vision of perfect society is conveyed concerns a wealthy scion of
Bostonian society of 1887 (the year the novel was published) who is transported
to the year 2000, by which time United
States society has been transformed and elevated greatly.
I read
this book, as in the case of More’s Utopia (see below) in conversation
with my son, Ryan, concerning the defining elements of the perfect society.
...........................................................................
Jack
El-Hai, The Nazi and the Psychiatrist:
Hermann Goring, Dr. Douglas M. Kelley, and a Fatal Meeting of the Minds [originally
published in 1704] (NY: Public Affairs/Perseus, 2013)
In this
nonfiction work, El-Hai explores the relationship between the American
psychiatrist Douglas M. Kelley and the Nazi prisoners--- especially Reichsmarschall Hermann
Goring--- awaiting trial at Nuremberg
whom he examined to determine if commonalities in personality abetted the
formation of Nazi policy.
I read
this book after reading a review of, and anticipating viewing, the film, Nuremberg,
based on the El-Hai work.
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Tom
Holland, Dominion: The Making of the
Western Mind (New York: Little,
Brown, 2019).
This work
examines the often overlooked influence of Christianity, in Holland’s view, in
the development of secular as well as religious society in the Western world.
This book
was a Christmas gift to me from son Ryan.
The book
is enormously thought-provoking, critically both admired and thematically
contested, and will bring forth much commentary by me in weeks to come.
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Thomas
More, Utopia [originally published in 1516]; H. G. V. Ogden, translator
(New York: Appleton-Crofts, 1949) details
the admirable fictional island society of Utopia via the voice of one Raphael,
an acquaintance of More’s friend, the diplomat Peter Giles, in an excursion
that More and Giles took to Antwerp, Belgium. Raphael was along on the
1497 voyage of Amerigo Vespucci before at one point venturing forth from the
main group with his own party, discovering among other peoples the highly
admirable Utopians.
There is
no private property on the island of Utopia and citizens have equal
status. Both women and men are engaged
vocationally mainly in agriculture while specializing also in a trade. The society is more patriarchal than that
imagined by Bellamy, and war has been minimized rather than abolished, but this
vision is remarkable for having been published in 1516.
I read
this book, as in the case of Bellamy’s Looking Backward (see below) under
the inspiration of conversation with my
son, Ryan, concerning the defining elements of the perfect society.
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Captain
J. B. L. Noel, Through Tibet to Everest;
foreward by Chris Bonington [originally published in 1927] (London: Hoddard and Stoughton Publications, 1989)
Ryan
bestowed this book on mom Barbara as a Christmas gift; I, too, took an interest in this volume given
to My Beloved.
Noel
presents in this book a riveting account of two early attempts, in 1922 and in
1924, to situate climbers at the top of Mt. Everest. These attempts were meticulously planned,
with support crews totaling approximately 150 people to establish three major
camps to feed and shelter the climbers and other personnel, cook nutritious
meals, and serve as advance scouts for assessing weather conditions and current
positioning of boulders and icebergs.
But in each event lives of climbers were lost; in the latter climb of 2024, two climbers may
have made the Everest peak before disappearing forever off cliffs or into
avalanches. The eventual successful
climb of Mt. Everest of Edmund Hillary and Sherpa Tenzing Norgay in 1953 utilized an
abundance of information from the chronicled episodes of the 1922 and 1924
expeditions, including the photographs taken by author J. B. L Noel.
...........................................................................
Jonathon
Swift, A Tale of a Tub [originally published in 1704] (Minneola, NY; Dover Publications, 2017)
This is the major satiric novel written by Jonathon Swift
before Gulliver’s Travels; the purported
plot presents the interactions of the three brothers Peter (as in St. Peter, representing
Roman Catholicism), Martin (as in Martin Luther, representing the Lutheran
Reformation), and Jack (as in John Calvin and Jack Leyden, representing
Protestant movements inspired by and in contrast to the Reformation of Luther).
The father of Peter, Martin, and Jack upon his death left
a will the major instruction of which was to leave completely unaltered coats
that he gave each of them; but in their
competition to wrest the bequeathed fortune away from each other, to gain
prominence of recognition for their viewpoints, and in response to conditions
in which they found themselves that made alterations of the coats advantageous, the brothers authored contorted reasons why certain alterations could be
construed as consistent with their father’s otherwise clearly explicit
instructions.
The novel therefore is a grand metaphor for the struggle
between the Roman Catholic Church and two major strains of the Protestant
Reformation. Tellingly, though, Swift
leaves unassessed and unopposed the claims of Anglicanism, the institution of
which he served as dean of St. Patrick’s Cathedral in Dublin, Ireland.
Swift’s quirky satirical style, though, results in many
labeled “digressions,” that in fact take up more space than the escapades of
Peter, Martin, and Jack. In these
“digressions," Swift lampoons the literary establishment of the early 18th
century, clearly viewing the concerns of many imminent people of letters to be
errant, irrelevant, and pretentious.
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Tom
Winton, The Riders (New York:
Scribner, 1994)
This is a
sensational novel that came to my attention as the selection for a book club of
which son Ryan is a part.
The
protagonist of the novel is Frederick Michael Scully, known to almost everyone
simply as Scully. In the early going he establishes
friendship with Peter Keneally, a postal carrier in the small Irish town and
rural vicinity where Scully is rehabilitating a timeworn house and barn on
property that Scully bought in deference to the wishes of wife Jennifer, who
with six year-old daughter Billie has lingered in Australia to sell the home
occupied before the prospective move to Ireland.
Winton
paces the novel patiently, with great powers of descriptive detail, in the
early going featuring the hardworking Scully accomplishing the nearly
impossible task, with generous help from Peter, of successfully making the
house and property livable. Scully
rambles from the property infrequently but on one occasion is drawn to the
mysterious appearance of horse riders dressed in appropriate garb for
converging on the remnants of a medieval castle prominently positioned on the
landscape.
The move
to Ireland is the latest in a series of peripatetic wonderings of Scully,
Jennifer, and Billie in a life that has seen them living in Greece, Italy, and
France, in demonstration of their unconventional inclinations and as Jennifer
searches for an identity as an artist who proves frustratingly to have only
middling talent. Scully loves Jennifer
deeply and assents along the way to her destination preferences and pines for
the day when she and Billie join him in Ireland.
But here
the novel shifts from the anticipated reunion to the stark reality that Billie
arrives alone on the appointed reunion day, inducing Scully to lead Billie to
destinations in Greece, Italy, France (Paris), and Amsterdam in a vain quest to
find Jennifer. Billie apparently knows
the reasons for her mother’s flight from the family but is too traumatized to
relate what she knows.
The novel
shifts eventually into a frenetic mode that finds both Billie and Scully
physically and emotionally injured, leaving a trail of death and turmoil that
descends into an abject degradation for Scully--- including unsavory moments with Irma, a
German of perceptibly dual and interacting goodhearted and unseemly personality
parts whom Billie and Scully first meet in Greece.
Billie,
wise beyond her years but a child nevertheless, assumes the leadership of the frantic
duo as her father gradually descends into emotional and physical debauchery, in
striking contrast to his formerly behaviorally admirable and dependable
self. Billie and Scully eventually are
met and transported to the rehabilitated farm by the faithful Peter Keneally in
a return to Ireland.
Lingering
questions at novel’s end include,
Why was
Billie unable to reveal the details of Jennifer’s behavior and disappearance; why at no point did Scully press Bilie for
the pertinent account?
Where in
fact did Jennifer go, what did she do, and what was her emotional state in
abandoning the family?
And who
exactly are those medieval riders who appear for the first time to Billie and
for a second time to Scully in the mysterious deep of the night at novel’s end?
For me,
the novel most prominently is an exercise of exquisite literary power with a
message that life ever holds the unexpected, that genuine love is to be
treasured most of all, and on the basis of love one must go forth to make of
life whatever one can, knowing that idyll and chaos are equally possible.
And as to
those riders:
Are they,
as they appear to be, ghosts returning to life as previously practiced,
hovering around the dilapidated castle relic as tangible symbol of that
past?
What do
they portend for those living in the present?
Are they
symbols of ineffable life in which the real, surreal, comfort, unease, order,
and disorder abidingly comingle?
With the
final scene of the riders positioned at novel’s end, the latter question seems
to argue for an answer in the affirmative.
...........................................................................
Mary
Wollestonecraft Shelley, Frankenstein [originally published in 1818]
(Garden City, New York: Dover
Publications, 1994)
I read
this novel the first time after watching the most recent cinematic version of
the famous story.
I admired
Wollestonecraft’s writing greatly and found her original story to be superior
to the films, the meaning of which is not mainly danger of technology that
escapes control by human beings--- but
rather the potential for beneficence and destruction that resides within all
living souls, with potential’s realization depending entirely on life
circumstances and the presence in one’s life of those who either give or
withhold love.
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The
Tragedy of Macbeth, The Yale Shakespeare, edited
by Wilbur L. Cross and Tucker Brooke (New York:
Barnes & Noble/Yale University Press, 1993)
I read
this magnificent classic for the fifteenth or so time in anticipation of
attending the superlative most recent staging at the Guthrie Theater in
Minneapolis, Minnesota.
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Zhongguo
Yuyan (Chinese Moral Tales), Series Volume Number One, editedd
by Hsi-chen Wu, Li -cheng Kuo, and
Teh-ming Yeh (Taipei, Taiwan:
National Publications 1977)
I am
rereading this and the other volumes in this series, featuring eighty stories
in all, as I have many times for an efficient vocabulary review of Chinese,
this time in preparation of another trip to Taiwan in late March and early
April 2026.
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Gary
Marvin Davison, Books Projected for Reading in Late Winter/Spring 2026
...........................................................................
Slavenka
Drakulic, How We Survive Communism and Even Laughed About It (New
York: Harper Perennial, 1993)
This is
an intriguing book that I found in the gift shop of the Museum of Russian art
in Minnesota.
...........................................................................
Wolfgang
Benz, A Concise History of the Third Reich; Thomas Dunlap, translator (Berkeley, CA: University of California Press, 2006
This will
be a companion piece to the El-Hai work mentioned above and a concise review of
events chronicled in William Shirer’s Rise and Fall of the Third Reich,
which I have read twice.
...........................................................................
Philip Roth,
The Plot Against America (New York:
Vintage/Random House, 2004)
This work
was mentioned by Ryan when I related my reading of the similarly themed work of
Sinclair Lewis, It Can’t Happen Here, and is consistent with my current
intense interst in visions of both utopian and dystopian society.
...........................................................................
Dennis J.
Sardellas, Visible Images of Invisible God:
A Guide to Russian and Byzantine Icons (Brewster, MA: Paraclete Press, 2022)
This is another
work purchased in the bookstore of the Russian Museum of Art that will
supplement and extend my knowledge of the art and the meaning of icons in the
Orthodox Church.
...........................................................................
B. F.
Skinner, Walden Two (New York:
Macmillan, 1948)
I am
planning to read for a third time this book by the psychologist whom I regard
as having demonstrated scientifically the most compelling explanation for why
people do what they do.
My
particular motivation for this rereading is to review another vision of the
perfect society.
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Leo
Tolstoy, War and Peace [originally published in 1867]; translated by Constance Garnett (Garden City,
New York: Dover Publications, 2017)
Ryan
mentioned that a colleague had urged him to read Tolstoy’s classic, inspiring
me to reread the monumental work that I first read a decade ago.
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Zhongguo
Fongsu Xiguan (Chinese Customs and Traditions), Series Volume
Number Two, edited by Hsi-chen Wu, Li -cheng Kuo, and Teh-ming Yeh (Taipei, Taiwan: National Publications 1977)
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Zhongguo
Lisi Gushi (di yi) (Stories from Chinese History, No. 1),
Series Volume Number Three, edited by Hsi-chen Wu, Li -cheng Kuo, and Teh-ming Yeh (Taipei, Taiwan: National Publications 1977)
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Zhongguo
Lisi Gushi (di er) (Stories from Chinese History, No. 2),
Series Volume Number Three, edited by
Hsi-chen Wu, Li -cheng Kuo, and Teh-ming
Yeh (Taipei, Taiwan: National
Publications 1977).
I am rereading these latter three volumes in the same spirit mentioned above for the
first volume in the series.